המתת השור

http://www.haaretz.co.il/gallery/television/tv-review/.premium-1.2236707

הטימטום מגיעה לסיאו כאשר מצד שני, יש שמפרסמים וממשיכים בקו הזה של פרופגנדה ממש דלוחה כתבות על למה בטל אביב, ישמן השנים הכי יפות שבעולם

נו באמת

הקטע לצפיה היא גם קלאסיקה של טעויות עותונאיות גרידא....

לכו לצחוק .!

the story of imaginative mastery but true

http://www.nybooks.com/blogs/gallery/2014/feb/05/vladimir-horowitz-carnegie/

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I think it should be clear by now that
like Virginia, all

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the mainland colonies were put on a very
distinctive path of development.

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Certainly, in comparison to the core areas
of the Americas.

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There were slaves in Virginia from very
early

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on, 1619, but the numbers were very small.

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Less than 5% of the population in the
first years.

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Labor, and unfreedom, were as much the
condition

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of Englishmen and women, as of Africans in
this early period.

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This was clearly not a slave society.

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In fact, in the mid-17th century, as the
historian Edmund Morgan has put it.

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You can see Virginians moving in pursuit
of profit to a system of labor that

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treated men as things.
In Virginia and in the mainland colonies

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it was white men

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and women who

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were treated

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as things.

Aphra Behn, The Widow Ranter
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Nancy Copeland on Aphra Behn:

The Widow Ranter was the last play written by Aphra Behn, England’s first professional female playwright. This play was probably written in 1688, but was first performed a few months after Behn’s death in 1689. It is the first surviving play to be set in a North American colony; it takes place in and around Jamestown, Virginia in 1676. As a young woman, Behn may have spent some time in another British colony, Surinam, and she may have drawn on that experience in this play.

The Widow Ranter combines a serious plot with a comic one. The serious plot is loosely based on an historical event: the rebellion of a colonist, Nathaniel Bacon, against Virginia’s colonial government. Bacon himself is the protagonist in this plot: he is portrayed as a noble if flawed character, a hero tragically in love with Semernia, the romantic “queen” of the local Indian tribe; their doomed relationship in some respects recalls the Pocahontas story. The comic plot gives a satirical picture of the colony. The colonists include the bumbling lower-class members of the ruling council; fortune-hunting gentlemen newly arrived from England ; and the Widow Ranter. Ranter came to Virginia as a servant, but became wealthy by marrying her late master.  She swears, smokes, and drinks like a man, and pursues and wins a second husband while disguised as a boy. She is a memorable character who embodies the colony’s social chaos but also its vitality. Aphra Behn’s play is a critique of both colonial Virginia and the English political situation at the time it was written, but despite its satire, this play provides an unusual early portrait of a distinctive colonial culture.

Further Readings Help Learn more.

Transatlantic Slave Trade

• John Thornton, Africa and Africans in the Making of the Atlantic World, 1400-1800
• David Eltis et al., Atlas of the Transatlantic Slave Trade
• Stephanie E. Smallwood, Saltwater Slavery: A Middle Passage from Africa to American Diaspora
  

Early Colonial North America

• Edmund S. Morgan, American Slavery, American Freedom
• Edmund S. Morgan, "Slavery and Freedom: The American Paradox"(this articleis a synthesis of American Slavery, American Freedom)
• Winthrop Jordan, White Over Black: American Attitudes Toward the Negro, 1550-1812
• T.H. Been and Stephen Innes, "Myne Owne Ground": Race and Freedom on Virginia's Eastern Shore, 1640-1676
• Kathleen Brown, Good Wives, Nasty Wenches, and Anxious Patriarchs: Gender, Race, and Power in Colonial Virginia
• Peter H. Wood, Black Majority: Negroes in Colonial South Carolina from 1670 through the Stono Rebellion
• John Noble Willfore, "Fort Tells of Spain’s Early Ambitions" (NYT, Jul. 22, 2013)
• Nicolas Wade, "Girl’s Bones Bear Signs of Cannibalism by Starving Virginia Colonists" (NYT, May 1, 2013) 

Il Comandante (commosso, si piega verso Des Grieux, gli sorride benignamente e gli dice col fare burbero del marinaio:)
Ah! Popolar le Americhe, giovinotto, desiate?
(Des Grieux lo guarda con ansia terribile)
Ebben… sia pure!
(battendogli sulle spalle)
Via! Mozzo, v'affrettate!

would I stop writing ?

אני רואה בי 2 חלקים מלופפים היטב

מצד אחד האישה הגדלוה בשרנית עם שדיי הגדולות שכמעט ולא נוגעת ברצפה...

כמו פסל של MAILLOL

כבדה אך קלילה כי שברירית גרידא מזה אני מובנית

מאידך גיסא, ידוע לי שנמצ בי של אינטלקט גרידא והוא שייך למחשבה גברית...במילים פשוטות...הרבה חוכמה...

זה עושה אותי מושכת זה עושה אותי קשה למציצה...עוד יותר קשה לבליעה...

ולבסוף חיים לא קלים....

באים להתוסף לנוסחה הזו

יסודי כמו כל יסודינו הוא אנוכיות רגשית...אך כאשר משהו זורק אותי כנדג הקיר של מציאות קשה כל הזמן, התוצאה היא לא ידועה מראש כל פעם...ובמיקרה הטוב, אתה לא מפסיק לשאול שאלות

המבקר הכי גדול שלי הוא אני

המאהב הכי גדול שלי הוא אני

יש לי אגו גדול שמנועו הוא כאס וכרגע כעוס....

מחר יום חדש

https://class.coursera.org/slavesouth-001/lecture/51